Oh, haven't you heard? If not, read on....
Ev-uh-ry-body, it seems, watched the 60 Minutes episode featuring Anna Wintour. If you weren’t one of the 10.2 million viewers to take in the fashion diva’s interview, take heart. We hear from Folio Mag that CBS has generously uploaded the 12-minute segment for your online viewing pleasure.
Prolific San Francisco producer and pop singer/songwriter John Vanderslice's latest full-length album, Romanian Names, is out today, and NPR has the whole album available for streaming. John and band officially kicked off the tour last night with a free show at Amoeba, and will hold the album release party tonight at Rickshaw Stop with The Morning Benders (7:30 p.m., $16).
Terminator Salvation holds the rare distinction of being both a prequel and a sequel, set 34 years after James Cameron’s 1984 original, whose backstory it seeks to explain, and picking up more or less where Jonathan Mostow’s underappreciated Terminator 3: Rise of the Machines left off.
If you’re already scratching your head, don’t worry. Salvation, which chronicles man’s struggle to survive in a post-apocalyptic world governed by malicious super-computers, isn’t a movie to be understood so much as experienced.
John Vanderslice just might be one of the less-appreciated natural resources in the city’s indie scene. The man is whip-smart, writes a mean pop song, crafts a complex lyric, and runs the gritty-fabulous Tiny Telephone, the all-analog decade-old recording studio at the bubbling borderlands of Potrero Hill, the Mission, and the 101-280 interchange (a neighbor for years with the internationally renowned, blow-‘em-up-real-good DIY-robotics crew of Survival Research Laboratories).
Where might you find the likes of Joe Cocker, Shelby Lynne, Big Bad Voodoo Daddy, Ziggy Marley, Lyle Lovett and Chris Isaak, all wrapped up in one pretty package and presented to you this Memorial Day weekend? Why, the annual Sonoma Jazz Fest, of course!
Beginning on Thursday and lasting through Sunday, jazz and country acts will take center stage at downtown Sonoma's Field of Dreams, which seats 3,800. In its fifth year, the Sonoma Jazz Festival stands apart from other musical events of its kind by including some of Wine Country's most celebrated chefs and vintners.
If you’re a Kiehl’s fan, now would be a good time to stop tossing the empty containers from your favorite products in the recycling bin (‘cause we just know you’re not throwing them in the regular ‘ole trash).
Instead, gather up bottles, jars and tubes and take them to a Kiehl’s free-standing store for recycling through the Recycle and Be Rewarded program that recently went nationwide. For your trouble, you’ll receive a card to collect stamps for each container you return to the store.
Ah, Anglophilia -- it can be so fulfilling when it comes to UK music-makers like Doves, the Kills and the Horrors, all passing through doors of the fair Fillmore in the next few.
SF first sighted Doves when the group touched down at Bimbo’s 365 Club around the release of the Mercury Prize-nominated, transportive and achingly emotive Lost Souls (Astralwerks/Heavenly, 2000). (Factoid that will make you rub your peepers and wonder where the years went: the Strokes opened for the boys from Manchester at that show.)
I've been thinking about RN74 since my dinner there last week (full disclosure: I went on a "media night" and was treated to dinner). It's no surprise that fine dining restaurants are on the decline here in San Francisco—this has never really struck me as a white tablecloth town, and with the economy being in the tank the demise of all but the best of the "fancy" restaurants seems inevitable. So when I heard that the Mina (as in Michael) Group was opening a more casual wine bar-inspired spot, I took notice.
If the idea of a Da Vinci Code sequel fails to move you – join the club – here's a list of some of the finest films currently in rotation at a San Francisco indie theater near you.
1. Rudo y Cursi
Where: Bridge Theatre, 3010 Geary Blvd., 415-751-3213
When: All Week
Why: Eight years after Y Tu Mamá También effectively launched their international careers, Gael García Bernal and Diego Luna reteam for Carlos Cuarón’s slyly amusing tale of two ultra-competitive brothers whose primary interests are limited to playing soccer and drinking beer, though not necessarily in that order.
So often has their longtime friendship been chronicled by the media that it’s easy to forget that Gael García Bernal and fellow Mexico native Diego Luna have spent the past eight years traveling independent paths to big-screen stardom.
Not that rumors of their closeness have been exaggerated.
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