Arts + Culture
The dancers move in silence, with no sound but their feet hitting the floor. The first piece of the evening is charged and entrancing and makes it really, really obvious if you’ve forgotten to turn off your cell phone. (Turn off your cell phone.) Choreographed without music, Mark Morris’s powerful Behemoth leads off a trio of West Coast premieres at Zellerbach Hall this weekend.
It's no secret that parking in the city is a bitch. So we've enlisted local parking guru and author of Finding the Sweet Spot, David La Bua, to dish out weekly tips on navigating the ins and outs of city parking.
Question: What is the most frequently cited parking violation in San Francisco?
Imagine a balmy San Francisco day spent hitting the waves on the outskirts of town at Ocean Beach, amidst the fog. The Mantles play music that's the soundtrack to our city, a metropolis on the edge of the Pacific: raucous, sunny surf pop tinged with a quest for meaning like a malaise lurking underneath all the fun.
If you had a brand-new 20 million dollar arts center, wouldn’t you want to use every last inch? Choreographer and ODC maven Brenda Way’s latest contribution to the dance world is Architecture of Light, designed to send twenty-six dancers (ODC’s original ten and sixteen guests) swirling through the elegant renovation under the flaming light of installations by acclaimed visual artist Elaine Buckholtz.
We predicted big things for local author Stephen Elliott when we picked him as one of last year's Hot 20 Under 40. And looky here, James Franco just bought the rights to his book, The Adderall Diaries: A Memoir of Moods, Masochism and Murder, which he plans to adapt, direct and star in. If you haven't read the memoir, now's a good time to pick it up, so you can see how well Franco does "confessions, self-medication and tortorus sex" if the movie comes out.
A staple art and cultural institution for four decades, the Mission's Galería de la Raza celebrates 40 years of bringing community together through activism and the sharing of the neighborhood's strong Latino culture. The season-long programming is comprised of four main events taking place now through November, and you'll also have the chance to snag Galería de la Raza's 40th Anniversary Catalogue, which features essays, interviews, and color reproductions illustrating the space's 40-year history, and a limited-edition fine arts portfolio. Local art icon Guillermo Gómez-Peña will team up with novelist Sandra Cisneros (known for her contributions to The Village Voice and The New York Times and her novel The House on Mango Street) in a special collaboration that will serve as the finale ceremony.
Accidental Billionaire? Ultimate Wannabe? 'The Social Network' Deconstructs Facebook Co-Founder Mark Zuckerberg
Unlike MySpace co-founder Tom Anderson, who once greeted the social networking site’s newest users as a default friend, his smiling face plastered on the screen like a digital welcome mat, Mark Zuckerberg rarely seems to have used his position as Facebook co-founder to collect pals, real or imagined.
Until now, the man most responsible for the world’s largest online clubhouse, who innocently describes his mission as making the world “a more open place by helping people connect and share” – neglecting to mention the roughly $7 billion his unique brand of altruism is reportedly worth – has managed to remain largely anonymous outside his circle of business associates, who should never be confused with his buddies.
There’s something to be said about a 2-man band that can squeeze themselves into nearly every movie and TV show known to man (Black Snake Moan, Gossip Girl, Dexter, Hung, Victoria’s Secret, American Express, and Sony Ericsson commercials, Eastbound and Down, Zombieland, Entourage, Grand Theft Auto IV, Big Love, One Tree Hill, I really could keep going), and yet still manage to keep relatively under the super mainstream radar.
For fans of the 2008 Swedish import Let the Right One In who have angrily littered the Internet with cries of blasphemous imitation, Chloë Moretz, the 13-year-old star of Let Me In, opening Friday, has a simple request: Give Matt Reeves’ remake a chance.
“Put aside the controversy and watch the movie,” says Moretz, who plays Abby, a centuries-old vampire trapped in the pale, deceptively frail-looking body of a 12-year-old. “See if you take something new from it.”
Cooney Lumber Mill’s secretarial pool isn’t your average band of typists. Yes, there’s gossiping and Slim Fast, but there’s also the systematic destruction of Big Bone, Oregon, as the secretaries eliminate one lumberjack at a time - with their own chainsaws.