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Arts + Culture

Bloody but Never Broken, Sarah Butler Relives the Infamous Day of the Woman with 'I Spit on Your Grave'

The first time Sarah Butler read the script for I Spit on Your Grave, Steven R. Monroe’s tense, unrelenting remake of the notorious 1980 rape-and-revenge thriller Roger Ebert deemed “a vile bag of garbage, reprehensible and contemptible,” she made an urgent call to her manager.
 
“I’d auditioned for it, but when I saw the script I decided to skip the callback,” says Butler, 25, best known for one-off appearances on CSI: Miami and CSI: New York. “All the nudity, violence, graphic rape scenes – normally, my manager is very protective of me, but he asked me to read it again, so I did. He said it could be the role of a lifetime, and I tried to look at it from that perspective.”

Lizz Roman: This Dance, This Place

Known for captivating choreography in unconventional spaces, Lizz Roman hits Danzhaus this weekend, sending her dancers on another athletic trawl through the halls and stairways of the sometimes nightclub in Potrero.

SPARC, The Swank New Pot Club on Mission

Looking forward to the Prop 19 vote in November, the New York Times Magazine profiled the new San Francisco Patient and Resource Center (SPARC) as the new face of pot clubs last Friday. The chic newcomer, which Curbed describes as "a swank boutique hotel meets a West Elm store," is a far cry from the shadowy sketchiness often associated with these types of joints (there are 24 licensed dispensaries in San Francisco).

This Week's Hottest Events: Broken Bells, Beer Pairing Dinners at Monk's Kettle, and Judd Apatow

Music: Broken Bells and Van Morrison
Power alt rock/indie duo Broken Bells—Danger Mouse (aka Brian Burton) and The Shins' lead James Mercer—has been tearing it up on the music scene since their self-titled debut album release earlier this year. Rolling Stone even flagged the cd "the year's coolest left field pop disc" and they've been on perpetual repeat at the 7x7 offices. You want tickets to this one. $30; Tuesday 10/5; The Fox, 1807 Telegraph Ave., Oakland, apeconcerts.com. But, if cutting-edge, new music isn't your scene, you can always splurge on an oldie but goody. Van Morrison's making a stop in SF. Start singing "Brown Eyed Girl" now. $84+; Friday 10/8; Nob Hill Masonic Center, 1111 California St., livenation.com

Smuin Ballet Does The Shins, 'Oh, Inverted World'

Quickly gaining a reputation for pulling some of the world’s finest choreographers to San Francisco, Smuin Ballet’s world premiere of Trey McIntyre’s Oh, Inverted World is a stunner. Set to music by The Shins, McIntyre fully lives up to his reputation as one of the most sought-after choreographers working today.

 

October's Classical Music Roundup: Takacs Quartet, Joshua Bell at SF Symphony and New Spectrum Ensemble

Takacs Quartet

Takacs Quartet, one of the world’s foremost chamber ensembles, takes the San Francisco stage for the first time in more than 20 years. As does Geraldine Walther, who defected from the San Francisco Symphony five years ago to join Takacs Quartet (as a twenty-nine year veteran, she was probably ready for a change of scenery) (not to imply the SF Symphony scenery isn’t a pleasure to behold). Applying their legendary technical skill and musical magnetism to Haydn, Beethoven, and Bartók (a bow to the ensemble’s Hungarian roots), this Grammy- winning group is a one night only offer.

Litquake This Week: Surf Lit, Tales of Hollywood Hell, Jonathan Lethem and Lit Crawl

The Bay Area has long been fertile ground for literary talent - from Jack London to Amy Tan to Dave Eggers. Litquake, now in its 11th year, is our annual celebration of the written word, and it blows through town October 1-9. It's a whirlwind of lectures, parties and lit-events, so pick and choose what suits your fancy, but definitely aim to hit up something. Here are the biggies this week:

 

Arcade Fire Lights Up the Greek Theatre

The bigness of Arcade Fire’s music is made to fill a venue like the Greek. But the bigness of their fan base could have easily filled five.  Last night’s show was so packed that security actually started begging fans to stop pushing their way onto the floor. “We’re gonna have to bulldoze our way through here,” one fan said, eying the sea of wall-to-wall bodies ahead, as a security guy next to him tried to steer people away. “No more room!” he shouted. “There’s no more room down here!”

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