Bay views, Twin Peaks, a rainbow-hued array of sushi and lots of passion -- all crucial components in The Full Picture, a new SF indie by local filmmaker Jon Bowden. The writer and director poured everything he had -- his apartment, his personal history -- into the feature-film version of his play Big Mouth, a close look at one SF every-guy as he introduces his fiancee to his very dysfunction family, complete with caddish brother and a mother with a penchant for taking photos at extremely inconvenient moments.
Brace yourself for summer in the city. Because urban life, as filtered through some very personal lens, appears to be theme emerging at this month's First Thursday shows.
Welcome to their fantasy. Organic landscaping gives way to fabulist abstractions at this collaboration between Paul Kalcic and Jellystone. Opening June 3, 7-10 p.m. Kokoro Studio, 682 Geary St., SF. kokorostudio.tumblr.com
Fabric flowers will blossom and plushy robots will belly up to the Craft Bar at Museum of Craft & Folk Art Thursday, June 3.
Yep, it’s that time of the month again -- time to get your craft on. Every first Thursday for the last six, MOCFA SF has hosted a Craft Bar, along with Etsy Labs, and the event appears to be gathering steam among the Bay’s many manic DIY-ers. The event, which began life as a humble Stitch-and-Bitch gathering of around 30, assembled 250 the last time around. “That was our biggest Craft Bar yet,” says MOCFA store associate buyer Amelia Strader, who co-organizes the event with the store’s manager and head buyer Kpoene Kofi-Bruce. “They keep getting bigger each time because word keeps spreading.”
We've brought you our picks for the Best Of SF: Arts, Entertainment & Nightlife, but for those for serious night owls, here are our late-night picks.
The art of keep-on-keeping-on is defined here. From [Kontrol] to Ghettodisco, the party at The Endup rarely stops—and neither do you, as you take breakfast at the T-Dance, Sundays at 6 a.m. 401 Sixth St., 415-646-0999, theendup.com
Have Plants and Animals gone Hollywood? The Montreal trio’s new album, La La Land (Secret City), finds the outfit hitting its stride with songs that boldly hark to the days or AOR radio, classic rock, and hazy, lazy California sunshine-dazzled days -- though strangely enough, the group got it all down on tape in Montreal and outside Paris (the latter spot was an old mansion crammed with vintage gear). It’s recording made for rocking out -- a sight to be seen when Plants and Animals arrive at the Independent on May 25.
Q: How did La La Land come to pass?
Matthew “Woody” Woodley: A voice told us it was time.
Q: What sort of ideas were simmering during its making?
The most dance-floor ready album by Caribou yet? Yes, of course, London-based songwriter Dan Snaith said recently from Austin, Texas, where Caribou had stopped to perform during its current tour. There’s no reining in the man behind one of the most shockingly powerful live shows I’ve ever seen at Bottom of the Hill -- listeners have been enthusiastically embracing Caribou’s new Swim (Merge). One can only assume their ears are well attuned to the onetime Manitoba mastermind’s electro-esque indie -- Swim simply foregrounds the beats to beautiful effect. And if you’re ready to take the plunge, Caribou performs two nights, May 23 and 24, at the Independent.
The SF-bred Benjamin and Peter Bratt’s affection and affinity for the Mission District comes through with crystalline clarity in La Mission. The brotherly team, with Peter writing, directing and producing and Benjamin starring, have much of the vibe down: the way the sun bounces off the concrete; the wildly imaginative and brightly hued murals winding off 24th Street; the bodegas, produce shops and mom-and-pop businesses lining the streets; the kids in black hoodies who slouch on out on front stoops; and some of the district’s funky diversity -- one that encompasses blue-collar Latino families, college-age hipsters, the bikers, and spiritual searches. You feel get a bit of a thrill just seeing those familiar sights -- Balmy Alley, Muni buses, Folsom Street basketball courts.
May brings rising artists on the move and familiar names back on the scene. Here's a brief look at a few of the Bay's openings and art events, just in time for First Thursday.
Who knew the global-beat-driven psych-prog indie outfit that blew MGMT off the stage at Bottom of the Hill so long ago would today be referencing Art of Noise-style dadaist samples amid look-sharp rhythms and ska-punk sax -- and making thoroughly danceable pop? That’s the sound of “Mondegreen” off Yeasayer’s recently released sophomore LP, Odd Blood (Secretly Canadian), a blast of sonic experimentation that attempts to go Dirty Projectors one further in the finding inventive new ways to suture overseas beats to post-punk rock, aided by big ears and plenty of smarts. The group puts it in action Saturday, April 17, at the Fillmore.
It’s not farfetched to see ‘09 as something of a banner year for Charlotte Gainsbourg, actress and muse to Nicolas Ghesquiere of Balenciaga: She brought home a best acting award from Cannes for her courageous turn in Lars Von Trier’s sexually and violently graphic Antichrist as a mourning mother taking her grief out on her and her husband’s bodies in some cringe-inducing ways, and she produced yet another acclaimed album, IRM (Because).