Eat + Drink
Here's our take on influence in SF. Agree with us or argue with us—just keep reading.
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Michael Pollan |
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“One thing that I’ve noticed, going around the country, is that there are always a few ten-gallon hats in the audience, and they come up to me and say that [“Power Steer” in The New York Times Magazine] in 2002 is what put their business on the map—ever since that article, they’ve been able to make a living selling grass-fed beef. But what I had to say about grass-fed beef occupied two paragraphs of that article, and those two paragraphs were at the end of an 8,000-word story, so that meant people got to the end of the article. How gratifying that was. I think you have more authority on food issues writing from the Bay Area—look at who the [editors in New York] hire when they want someone to write about food. They hire writers from here. On the other hand, since we have it so easy here, eating locally and finding grass-fed beef, you have to do a reality check. Some places are a food desert. We are so spoiled. That’s in my head when I’m writing.” Web Exclusive: Read more of this Q+A below |
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Kimberly Egan |
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“You know, it’s funny—we forget we know what we know here. Stuff that seems like old news, we bring it up to a client and they’re like, Wow what’s that? The ciabatta breads that are showing up in the quick-service restaurants— [the Center] was really a part of that. We took [clients] to different bakeries, like Acme and Grace Baking, and restaurants that had wonderful bread baskets—this was new news to our clients. Now you see ciabatta on the Wendy’s menu and the Jack in the Box menu. It’s like seeing your baby make it to the stage.” |
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The Center for Urban Education about Sustainable Agriculture Managers of the Ferry Plaza farmers Market since 1999 |
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Pat Kuleto |
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Thomas Keller |
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Jess Jackson |
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Paula Jones |
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Additional Q+A with Michael Pollan
What’s it like being a writer here?
You’re definitely preaching to the choir, and the choir can either snooze or do something.… But I’m a writer. I’m not an activist. The goal is really to enlighten readers, not to change the world. And satisfy my own curiosity. That’s an important part of what I do.
Who do you write for?
I think we all write for a handful of people whose opinions we care about, and they tend to be friends and other writers. My father will say to me, “Why are you using these words that I have to look up in the dictionary?” I realize I wasn’t thinking about him. I think you write for a smaller circle, and you’re delighted when it turns out to be a bigger circle.
Do you find yourself feeling the pressure to live by your words?
Do I feel self-conscious? Well, soon after I got to Berkeley, long before The Ominvore’s Dilemma [was published], I was shopping at the Berkeley Bowl, and someone tapped on my shoulder and said, “I’m watching Michael Pollan doing the groceries”—just as I was reaching for some sort of Fruity Pebbles. I was like, this town is too small.
But I’ve changed the way I’ve eaten as I’ve learned things. [My family] joined a CSA; I don’t eat industrial meats. These were strategies I devised for myself so you’re not agonizing every single minute. But you know, I’m not a fanatic about it. I got a call from the Times last week and they asked, “What are you going to give out for Halloween?” [I said,] Snickers bars, Mars bars. I think they were hoping I’d be making up some special non-fructose-corn-syrup treat. I remember being a kid, and I really didn’t want an apple. Indulgence is fine. One day a year is when people eat this crap.
What do you enjoy about your position?
The influence I’ve had on my students. Some of them have emerged into [being] good writers. One thing I see myself doing is training a generation of people to get beyond the Wednesday section fluff piece.














