Music + Nightlife
They say that it’s a male dominated world, but with power females like these, we beg to differ. Check out these women dominating the stages this week (and a few men too):
Neko Case, The Warfield, 6/9-6/10: Just in case you can’t make it to tonight’s performance, an encore is lined up for tomorrow, so there’s really no excuses. Miss Case gained fame by working on the New Pornographer’s debut album, but she’s held her ground and is proving to be one of indie’s new leading ladies with her fiercely independent and artistic voice. She’s definitely someone to keep your eye on these days.
Here's a little something to break the monotony of spreadsheets and emails. Chicago-based band Greenskeepers are at it again. First they manipulated Robert Pattison and Twilight, now they've put a creative spin on NIN's "Hurt" and joined it perfectly with a clip from the Academy Award-winning short animated film, Harvie Krumpet. Not sure if it'll play into their live set, but you can find out. They are playing Mission Rock on July 12.
Neko Case is back. If you missed her in conversation and song with Callie Khouri at Herbst Theatre back in January, now's your chance to see her live. From alt country to power pop, the songstress proves her ability to connect with an audience across musical genres time and again. Check out Spin magazine's article on her latest album, Middle Cyclones, and then preview some tracks before snagging tickets to the show.
Preview tracks from Neko Case below.
True, they have a smash hit behind them landing their sound in practically every single iPhone App commercial known to man, but that doesn’t keep these LA sweethearts from keeping their cool. Although once lovers, The Submarines duo comprised of John Dragonetti and Blake Hazard insist the situation isn’t awkward, “We'd like to think we're still pretty romantic, as married couples go, but it's both tough and great to work with someone you're currently involved with,” says Hazard. Although the two of them produce everything they put out, they tour with a particularly talented live drummer named J Stare, or more commonly, J Stare Extraordinaire.
This Saturday, Yerba Buena Center for the Arts will hold its final free "What's the Big Idea?" late night party of the season, ending on the theme "Ritual & Redemption." The party starts at 9 pm, and while they're no longer accepting RSVPs for preferred admission, everyone is welcome to show up and wait in line. With the Mission Street Food truck (yes, they're back in a truck!) arriving outside the museum on 3rd Street at 7:30 p.m., you have incentive to get there early.
So many bells, hold the whistles: beauty presides on the Field's Yesterday and Today, released not so long ago by those smarty-pants with excellent taste at Anti- Records, making the group's upcoming turn at Mezzanine on June 6 something of a must-see. Of course, coheadliner the Juan Maclean is a delight, too. The DFA act - now fortified on tour with members of LCD Soundsystem, !!!, and Holy Ghost – long ago circumvented the dangerous inertia hitting so many board-bound electronic acts, and it’ll likely rock the haus with intoxicating, booty-moving nuggets ala international hit “Happy House.”
Making as many stops on their summer tours as possible, indie bands from all over the map are stopping at one, or multiple venues in the city. There’s a wide range of artists to choose from this week, so to avoid complete and total exhaustion, choose wisely, my friend.
Leopold and His Fiction opens for Little Joy, Independent, 6/3: Where big city meets country, that’s where you’ll find these grunge-folk musicians. They’ve been reviewed as “angsty blues-flavored rock ‘n’ roll,” by Relix and we couldn’t agree more.
There must be something in the Oakland water - consider the still full-throttle metal underground centered in the city across the Bay around bands like High on Fire. Annihilation Time, and Saviours, the oft-lauded heavies out to make it louder and harder for all ye headbangers. The 2006 Level Plane album, Crucifire, by the latter group (which includes two vets of Yaphet Kotto, vocalist-guitarist Austin Barber and drummer Scott Batiste) was a blast of badass blasphemy that made Bay metalists perk up and listen: Barber apparently had his issues with archconservative fundamentalists in Arkansas and Colorado where he grew up.