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24 City

Factory Elegy: '24 City' Looks Back With Tenderness

New York Times critic Manohla Dargis was exactly on point when she described Beijing director Jia Zhang-ke as “one of the most original filmmakers working today.” Working above and underground with quiet audacity and a refined eye, Jia seems to have undertaken the sizable task of documenting a changing China -- with a clear-eyed attention to the grit and banality of daily life that Italian neo-realists and documentarians can appreciate, and a lyricism that poets can applaud. A product of Chinese cinema’s so-called Sixth Generation, Jia appears to be working toward a hybrid cinema that seamlessly fuses the real and ineffable.

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