Henry Harrison is not known for his kindness. The outspoken eccentric at the center of The Extra Man, Shari Springer Berman and Robert Pulcini’s buoyant adaptation of a 1998 Jonathan Ames novel, he is rather a textbook narcissist.
Thoughtless and hopelessly self-absorbed, he is a “confirmed bachelor” positioned “to the right of the Pope” in matters of bedroom politics. He is casually contemptuous of the rich, older women who subsidize his threadbare lifestyle at high-society’s fringes. And that is precisely why Kevin Kline wanted to play him.