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A.R. Rahman

Cutting Yourself to Live: James Franco Endures a Harrowing '127 Hours'

In April 2003, a falling boulder pinned Aron Ralston to the wall of Utah's remote Blue John Canyon for nearly five days, forcing the 27-year-old mountain climber to amputate his right arm in a desperate bid to survive.
 
In bringing his story to the screen, Danny Boyle deftly avoids the obvious stumbling blocks, transforming a mostly one-man show with a well-publicized ending into arresting drama that speaks not only to Ralston's implacable will but also to the durability of the human spirit. Boyle has described 127 Hours as an action movie about a man who can’t move, and the description is apt. Ralston’s existential struggle seems almost to sprint to its grisly conclusion.
 

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