San Francisco might be Jason Momoa’s favorite city, but don’t ask if he’s running for governor. The tall, bronze-skinned Honolulu native, who stars in Marcus Nispel’s new Conan the Barbarian, is well aware that comparisons to the screen’s most famous conquering Cimmerian, Arnold Schwarzenegger, are inevitable. And, thank you, he’s heard all the jokes.
Could he care less? Apparently not. He never sought Arnold’s blessing, nor does he seem concerned whether Schwarzenegger enjoys the movie. If he does, great. If not, Momoa won’t be quitting the business.
In the ’80s, there was no shortage of Hollywood he-men, guys who regularly toppled small armies and rescued whoever seemed worthy of rescuing. Stallone. Schwarzenegger. Seagal. Their names were synonymous with action, but not necessarily acting.
Times have changed. The musclebound enforcers of yesteryear have given way to caped crusaders and masked mutants, and the actors who play the new breed of superheroes are not reformed bodybuilders but plausible Oscar hopefuls: Robert Downey Jr, Edward Norton and the like. Yet here, as if to prove there’s still room for an old-fashioned big-screen brawler, stands Jason Statham.
A Rotten Tomatoes reader described The Expendables thusly: “Its purpose is to be violent.” Mission accomplished. Sylvester Stallone’s long-rumored convening of the Lat Pack – a motley crew of action stars past and present, including Jason Statham, Dolph Lundgren and, in his first dramatic role since 2004’s Around the World in 80 Days, Gov. Arnold Schwarzenegger – is a love letter to bloody excess.
It is the dawn of a new decade, a time for reflection and self-improvement. In that spirit, I humbly submit my list of movie-related resolutions, complete with links. If you'd like to suggest any New Year's resolutions for me, yourself or anyone else, feel free to drop me a line.
In my book, the concept of “breakfast” consists of a weekend day, an hour with double digits and beverages which contain both tomato juice and vodka.
There are very few people for whom I will break my fast -- fully showered and dressed -- at the ungodly hour of 8 a.m. Except for my mother; Daniel Lurie’s Tipping Point Breakfast and, of course, former Mayor Willie Brown.
Bright and early Tuesday morning, I managed to make it to Moscone West (on time) for Brown’s annual Election Day Breakfast Club which benefited the Willie L. Brown, Jr. Institute on Politics and Public Service.
Ladies and gentlemen, set your DVRs. At the Movies, the beacon of televised film criticism founded by Roger Ebert and Gene Siskel in 1975, is about to undergo a much-needed makeover.
For those who have followed the syndicated weekly show since Ebert and latter-day partner Richard Roeper left Disney-ABC Domestic Television last summer, the introduction of Michael Phillips and A.O. Scott as the latest pair of critics to occupy the vaunted balcony should come as welcome news.
Despite the movie’s early mixed reviews, the NFL is rolling out the red carpet for Denzel Washington’s latest thriller, The Taking of Pelham 1 2 3.
Here in the Bay Area, San Francisco 49ers stars Alex Smith and All-Pro linebacker Patrick Willis will be joined by Nnamdi Asomugha, Darrius Hayward-Bey and Michael Huff of the Oakland Raiders to host a special Wednesday night screening of the film at the Great Mall in Milpitas. The players will arrive to walk the carpet at 6:30 p.m., with the movie, a remake of Joseph Sargent’s 1974 subway heist, to follow.
Even as rabid fans and Warner Bros. executives are at long last celebrating the arrival of the Watchmen movie, one of the men most responsible for the Hugo Award-winning tale of fallen superheroes living in an age of impending nuclear war – author Alan Moore – couldn’t care less.
Just ask his partner in creation, artist Dave Gibbons.