When it comes time to add a new accessory to our treasure trove, we are consistently in want of Faye Kendall's creations. Since 2013, the NorCal sculptor has held our hearts on a string with her unusual necklaces made of horsehair, glazed ceramic, brass, bone and leather. It's wearable art—in a good way, we swear—that works perfectly with eclectic San Francisco wardrobes.
Carving out a gallery within their Jackson Square investment firm, Julie and Sébastien Lépinard, under the threat of a ho-hum paint roller, christened the space instead with street art from British graffiti activist Banksy. Haight Street Rat, stenciled on the exterior redwood planks of a Haight-Ashbury inn, was painstakingly extricated and is now displayed in a window at the couple's new gallery, 836M.
Bringing you the best in retail therapy from around the Bay.
Surrounded by a harem of belly dancers, glittering ladies, and men of velvet and furs, you'd be forgiven should you mistake the woman with hennaed hands and jeweled hair as some mysterious monarch from the other side of the planet.
Artists, collectors, curators and gallery owners are flocking to Art Basel in Miami this week. But, for those of you sticking around town, check out the inaugural show at CULT, a contemporary gallery founded by curator and performance artist Aimee Friberg, and two other intriguing exhibits.
For all its contributions to literature, the Beat generation of artists is above all known for its lifestyle–the addled, erotic, for-the-moment mania that blasted the foundations of conservative 1950s America and paved the way for full-fledged counterculture movements in cities like San Francisco and New York.