Frey Norris Gallery, known for its cutting-edge contemporary and modern art, has a new home. And, as is customary in the art world, they're throwing a party to celebrate. Shelter yourself from the snow this weekend at Saturday's grand reopening soiree, where you can quaff a few Chimays and enjoy treats from the Chinese sticky bun food lady while you peruse the space's current exhibits—"Pangea: Art at the Forefront of Cultural Convergence" and"Exultation: Sex, Death and Madness in Eight Surrealist Masterworks."
Art meets science at tonight's Exploratorium event. This week's After Dark program gets wild as the museum transforms into a Mad Hatter's tea party. Except, instead of tea, you'll be sipping beer and wine. And, instead of getting lost in Alice's Wonderland, you'll hobnob with the ghosts of painter's past in a café de Paris setting.
Upon stepping into Artillery Apparel Gallery, you're immediately faced with a huge, gold framed easel, holding a t-shirt, stretched like canvas, in various stages of painting. This is no upright screen-print job, but rather, hand-painted t-shirts by Artillery AG's owner, Ivan Lopez.
Lopez is straight up, born-and-bred Mission hip. After studying Industrial Design at Pratt and selling his shirts on street corners in NYC, he returned to SF and open Artillery AG right in his hometown hood -- the Mission.
Peter Philips, Chanel's Global Creative Director of Makeup, created Animating Chanel, a quirky video capturing Chanel make-up products transforming into robots. The video hit the web yesterday, and caused a nerdy-tech-meets-Chanel-chic ruckus in the blogosphere.
Currently on exhibit until April 17 at the SFMOMA, Exposed: Voyeurism, Surveillance, and the Camera Since 1870 explores the watching me, watching you phenomenon as it has evolved since the early days of the camera. In an era when cameras and recording devices are ubiquitous, impacting norms around privacy and exclusivity, this exhibit is more relevant than ever.
Get thee to the de Young. You have just over a week to see the Van Gogh, Gauguin, Cézanne, and Beyond exhibit before these post-impressionist masterpieces are shipped back to the Musee d'Orsay for good. In case you didn't hear, the de Young has had the privilege of being the only museum in the world to play host to two exhibitions of work on loan from the esteemed Musee d'Orsay while it undergoes extensive renovations. The first exhibit focused on the birth of Impressionism and drew more than 432,000 visitors. Bets are, that by the time it's over, the current exhibit will have drawn even more.
Justin Hoover, artist and curatorial genius at SOMArts, has big news:
His Garage Biennale Book ($40), funded in large part by Southern Exposure's alternative exposures grant, is finally complete. The catalog illustrates a collection of shows, each one night only, by a group of artists exploring the temporality of art production. This week, you have two chances to get the book in person before it's gone—only 250 copies were printed and each features hand-adhered vinyl lettering on the cover. It's the perfect holiday gift for your art-loving friend or the perfect collectible for your coffee table.
We here at 7x7 found ourselves so inspired by The Exquisite Book: 100 Artists Play a Collaborative Game (Chronicle Books), that we decided to continue the game online. Starting Dec. 1, we'll post a drawing from the book done by a local artist—one each Wednesday. Get your pens and paints ready because we're asking you to "respond" to each drawing with your own creation. Every week, we'll pick our favorite drawing and give the contributor $150 in local gift certificates. Then, at the end of December, we'll choose the best from the weekly winners.
Starting today, you may notice some unusual activity occurring on Market Street. Don't mistake it for the usual cast of crazies known for loitering and creating ruckus of all sorts on the sidewalk. These people aren't homeless and begging for money, but rather make up a troupe of characters telling the story of eight prominent African Americans who lived and worked near Market Street during the mid-19th century.