Calling all creative types: make your way to Fort Mason next weekend for a two-day extravaganza of art, music, design, film, and more. A partnership between VICE and Intel, The Creators Project has been attracting the art- and tech-savvy set all over the world—Beijing, Sao Paulo, Paris, Seoul, New York—and next weekend marks the first-ever San Francisco event. Now in its third year, it's about time the festival touched down in the country's most burgeoning epicenter of technology.
Fillmore art is something special to San Francisco. When I saw MGMT there in 2010, I was psyched to receive an iconic promotional poster as a souvenir. In my rock 'n' roll fantasy, the same would have happened at the Fillmore decades ago, but at a Jimi Hendrix show.
Here's an excerpt from a new Veterans Mural being painted in Shannon Alley between Jones and Taylor in the Tenderloin.
"And they can teach us how to make peace with ourselves and each other, so we never have to use violence to resolve conflicts again" - Thich Nhat Hanh.
On November 9, 7x7 welcomed members of the art and design communities and their ardent supporters to the prestigious McLoughlin Gallery near Union Square (49 Geary St.) to help launch the November 2011 issue. Guests enjoyed delicious cocktails from DonQ Rum and signature wines from The Hess Collection, and sampled tasty, whimsical bites from the recently-opened Trace restaurant in the W Hotel.
Tonight, Southern Exposure turns the idea of installation on its head. The arts organization unveils its latest exhibit, "Working Conditions," a process-based project in which nine artists bring their studios into SoEx's gallery space. For eight weeks, these artists will set up shop and keep regular hours, creating "installations" out of their work environments. No longer isolated in their own spaces, the artists are confronted with the experience of being in the public eye as they work, addressing the concept of artist as laborer.
Problem: You just moved into a new apartment and need to decorate its sad, bare walls (since your landlord won't let you paint them). You've been wanting to start your own personal art collection, but the high cost of entry has prevented you from breaking into the grown-up market.
Solution: Get it on the cheap. Take advantage of the affordable prices (works range from a hundred to a few thousand dollars) at Open Studios, and buy art straight off the artists' walls.
The 36th Annual Open Studios kicks off this weekend. From now through the end of October, you can stroll through more than 900 artists' spaces, get a feel for their working life, and support their craft (by buying a piece or maybe just signing up for their mailing list). Here, a sampling of 15 of the artists that stand out from the multi-talented pack.
Inspired by the iconography of the calaveras de azúcar associated with Dia de los Muertos, local artist and Mission resident Jonathan Koshi has released his second series of pop culture sugar skulls. While his first round ran the gamut from Kermit to Spy vs. Spy, this round draws directly from his Japanese heritage, transforming cultural icons like Tetsujin, Domokun, and the daruma into sugar skulls. “Growing up in Hawaii, I was influenced a lot by Japanese pop culture,” says Koshi. “One of my earliest childhood memories is of my first toy robot my parents brought back from a trip to Japan when I was 6.
MTV VJ turned artist? Tabitha Soren joins photographer Brice Bischoff and multimedia artist Ellen Black in a group show at Johansson Projects. The three create surreal manipulations of otherwise ordinary environments like the Sutro Baths, Ocean Beach, and the Bronson Caves in LA, in a sense illustrating the power and mystery of Mother Nature. Bischoff's vibrant colors for the Bronson Cave pieces are juxtaposed with stark black-and-white contrast in his residue prints. Soren illustrates the foreboding doom inherent in an unpredictable sea, and Black imagines apocalyptic landscapes in dreamy video scapes.
While San Francisco’s contemporary art scene is downright quaint compared to the likes of, say, Manhattan’s, this weekend’s sea of downtown gallery openings was testimony to how vibrant and overwhelming the art world can be, even in a dusty frontier town like ours.
Now the wine and cheese (or, if you’re Catharine Clark Gallery, tacos) are back in the fridge, but the art will remain quietly on display for at least a month longer. After wading through a lot of it, we’ve come up with a perfectly manageable selection of what is truly worth seeing this September.
For 941 Geary founder Justin Giarla and graffiti artist APEX, it's all about the present. The two have co-curated "The City We Love," a large-scale group show of Bay Area artists at Giarla's cutting-edge Tenderloin gallery. The exhibit of new work by local artists highlights graffiti and street art culture from the likes of Chad Hasegawa, David Ball, Chor Boogie, John Felix Arnold, and more. “I just felt that it was time to focus on doing a show with just San Francisco artists," says Giarla. "There’s a stronger community in San Francisco than people realize. The artists that we work with are here because they love it."