benicio del toro
Hunger is a study in cinematic minimalism, and that, finally, is what lends it such blunt force. It follows the final six weeks in the life of Irish Republican Army militant Bobby Sands, who helped organize the seven-month hunger strike that would claim his life in 1981, after 66 days. But this is not a hagiography of Sands, or a shot at British Prime Minister Margaret Thatcher, whose reaction to his passing was at best unfeeling. First-time filmmaker Steve McQueen’s quietly devastating drama is a meditation on the depths of degradation men will endure in pursuit of the respect they think they deserve.