The Transamerica Pyramid is the target of a nuclear strike in Mission: Impossible – Ghost Protocol, the latest thriller off one of Hollywood’s most dependable assembly lines. Pixar’s Brad Bird is not the first to wreak havoc on San Francisco, though the Golden Gate Bridge, rather than the city’s tallest skyscraper, is a more popular bull’s-eye.
Pete Docter is no stranger to success.
A 19-year veteran of Pixar’s Emeryville-based animation studio, Docter, 40, is, like so many of his similarly tenured peers, a creative force whose contributions to the company’s cinematic canon have been as indispensable as they have been varied. As an animator, he helped craft the innovative look of the studio’s first two films, Toy Story and A Bug’s Life. He co-authored Toy Story and its critically adored sequel and, more recently, helped develop the scripts for Monsters, Inc. (which he also directed) and last year’s Academy Award winner for Best Animated Feature, WALL*E.