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Indie Theater Roundup: 7 Movies to See This Week

The 3rd i's International South Asian Film Festival, featuring shorts, documentaries and dramatic features from countries including India, Bangladesh, Sri Lanka, Tibet and England, runs through the weekend at the Roxie, with a special Saturday engagement at the Castro Theatre highlighting Lester James Peries' acclaimed 1964 family drama Gamperaliya and Abhinay Deo's new, Hangover-inspired Bollywood farce Delhi Belly. Elsewhere:

1. Melancholia
Where: Embarcadero Center Cinema, 1 Embarcadero Ctr., 415-352-0835
When: All Week

SF Street Style: Stripes, Prints + Messy Bun in Cow Hollow

Last Saturday, I spotted Katelyn Wheeler outside Rose's Cafe in Cow Hollow. Katelyn (a lawyer who rocks office-friendly vintage frocks during the week) was perfectly dressed down in her weekend wear -- a fun stripe-on-print mix, and a sweet messy bun. 

Sweet Charlotte: Gainsbourg Exposed At Palace Of Fine Arts

It’s not farfetched to see ‘09 as something of a banner year for Charlotte Gainsbourg, actress and muse to Nicolas Ghesquiere of Balenciaga: She brought home a best acting award from Cannes for her courageous turn in Lars Von Trier’s sexually and violently graphic Antichrist as a mourning mother taking her grief out on her and her husband’s bodies in some cringe-inducing ways, and she produced yet another acclaimed album, IRM (Because). 

Celebrating a Decade of Great Cinema: Counting Down the Best of the Best

The final days of December are not just an excuse to eat, drink and be merry, but also to organize our most beloved cultural offerings into a series of lists. Who am I to buck the trend? With 2009 winding to a close, the time is right to reflect on the past decade and the movies that made it great. Among those honored: Michel Gondry, the French-born auteur whose Eternal Sunshine of the Spotless Mind and Science of Sleep proved two of the most poignant romances in recent memory, and Jake Gyllenhaal, the quietly effective star of Donnie Darko, Brokeback Mountain and Zodiac.

Chaos Reigns: Lars von Trier's 'Antichrist' Revels in Calculated Ugliness

How does one begin to describe a film like Antichrist, aptly characterized in the press notes as director Lars von Trier’s latest provocation? It is repulsive and perplexing. It is also brutally effective.

This is not a film for the squeamish. It is, by design, a disquieting experience, filled with images of extreme violence, often perpetrated for no compelling or discernible reason. The question is not so much whether you’ll enjoy the film, but whether you have the stomach to tolerate it.

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