The fifth San Francisco International Animation Festival kicks off tonight at the Embarcadero with Here Comes the Waves: The Hazards of Love Visualized, a colorfully eccentric interpretation (by four different artists) of the acclaimed 2009 album by indie-rock stalwarts The Decemberists. The festivities wind to a close Sunday with Gravity Was Everywhere Back Then, Brent Green's moving tribute to a Kentucky hardware-store clerk who, during the 1970s, built a crazy-quilt house to cure his wife's cancer. Elsewhere:
When Keeping It Real Goes Wrong: Sundance Standout 'Four Lions' Makes Bay Area Debut with South Asian Film Festival
It sounds like an invitation for righteous outrage – an unflinching comedy about jihad-minded suicide bombers determined to strike a blow for Islam but too dim to settle on a plan. Incredibly, first-time feature director Christopher Morris, who co-wrote Four Lions with Sam Bain (BBC’s Peep Show) and In the Loop screenwriters Jesse Armstrong and Simon Blackwell, pulls it off, with a hilariously biting satire that turns unexpectedly poignant when his terrorist wannabes stumble into the final phase of their half-baked operation.