Growing up in San Francisco, armed with a Super 8 camera to document his youthful forays into pyrotechnic mayhem, director Matthew Leutwyler’s journey to Hollywood is more than vaguely reminiscent of the trail blazed by so many innovators – guys with names like Scorsese, Lucas and Spielberg.
“I was always making little movies with my friends and stuff, even when I was at the Town School,” says Leutwyler, 42, whose new drama, Answers to Nothing, opened Friday at the AMC Metreon. “I was 8 or 9, and my brother and a couple friends, Robert and Alexander, we did stupid thing like put a tripod with a camera on it in the middle of our backyard.
Rarely before has wordy exposition been employed more excessively and to lesser effect than in Angels & Demons, Ron Howard’s middling follow-up to The Da Vinci Code.
For those craving action and suspense, there’s little to be found here, despite a whirlwind denouement that sees our hero, Harvard professor and renowned symbologist Robert Langdon (Tom Hanks), racing around Rome in search of an Illuminati killer. (More on that later.) Instead, screenwriters David Koepp and Akiva Goldsman subject us to a heavy-handed history lesson about the Catholic church that owes much to author Dan Brown’s tendentiously researched novel.