“New” was the zeitgeist in play Friday at the Opera Ball celebrating the 87th season opener of the San Francisco Opera.
New Music Director, Nicola Luisotti. New gala format. New production of Verdi’s Il Trovatore. A new, new economy in which to operate. As well as “new media,” embodied by the glamorous presence of Arianna Huffington.
And a sellout crowd of over a thousand gala guests, ably guided by Opera Ball co-chairwomen Teresa Meaderis and Adrianna Pope Sullivan, enthusiastically showed their support for this beloved and world-renowned company.
If you weren’t able to score tickets to the stellar San Francisco Opera production of Porgy and Bess, then Summertime opera ain’t necessarily going to feel very easy.
Unfortunately this oh-too-brief engagement of George and Ira Gershwin’s American operatic masterwork is fleeting as sweet summer itself.
We’ll leave the heavy, analytical lifting to the experts. But for lucky ticket-holders last week at opening-night, Porgy and Bess was, simply, thrilling.