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Dustin Lance Black

Clint Eastwood, Dustin Lance Black on Their Painstaking Search for 'J. Edgar'

J. Edgar Hoover may have savored his tough-guy image as America’s top cop, a rule-bending maverick unrelenting in his pursuit of justice, but Clint Eastwood, whose fascinating biography of the FBI’s first and longest-tenured director opened Wednesday at the Century SF Centre, the AMC Van Ness and the Sundance Kabuki, says there’s no similarity between Hoover and “Dirty” Harry Callahan.
 
“Harry was a mythical character,” Eastwood says of the rogue San Francisco detective he created in 1971 with director Don Siegel. “He was a man concerned with the rights of victims at a time when everyone was obsessed with the rights of the accused. And his story was very violent.
 

Indie Theater Roundup: 7 Movies to See This Week

Here's a list of some of the finest films currently in rotation at a San Francisco indie theater near you.

1. Two Lovers
Where: Embarcadero Center Cinema, 1 Embarcadero Ctr., 415-352-0835
When: All Week

The Case Against Sean Penn, and Other Oscar Picks

The Oscars have arrived, and with them the inevitable slew of so-called expert predictions. And though I find myself naturally curious, I must admit that my anticipation of Sunday evening’s ceremony has been subdued by lingering disappointment with some of the nominations. Put simply, my heart’s not entirely in it.

WALL*E should have been earned a nomination for best picture, as should The Wrestler. (A win for either would have suited me just fine.) Woody Allen’s strongest contribution in years was largely overlooked. And Bruce Springsteen, in the midst of a creative surge as strong as any in his career, managed to write a song for a movie (again, The Wrestler) without so much as a hint of recognition. Go figure.

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