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Grégory Levasseur

Home Movies: Through the Glass, Darkly

While director Alexandre Aja and longtime screenwriting collaborator Grégory Levasseur have proven themselves artful purveyors of fright, they too often squander their talents on stories that collapse beneath the weight of misplaced ambition.

Consider their singularly frustrating breakthrough, 2003’s High Tension. It’s a nasty slice of psychotic mayhem, straightforward and unsettling until, in its waning moments, Aja and Levasseur play fast and loose with the film’s internal logic. Their follow-up, a remake of Wes Craven’s The Hills Have Eyes, was little more than a technical exercise, but a mostly effective one, demonstrating that the French duo is quite capable of spinning nightmarish visions into tightly constructed yarns.

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