With IndieFest's Another Hole in the Head Festival continuing through Friday at the Roxie and Frameline35 arriving at the Castro this Thursday, Bay Area moviegoers should have little trouble satisfying their appetites for something slightly more cutting-edge than, say, the upcoming Mr. Popper's Penguins. And if you'd rather steer clear of the festival crowds? No problem.
If James Wan and Leigh Whannell didn’t seem so exuberant about Insidious, their cheerfully twisted take on a traditional haunted-house chiller, now playing at the Metreon, you might expect them to be bitter.
It was seven years ago that the Australian filmmakers, who met while attending the Royal Melbourne Institute of Technology, collaborated on a short film called Saw that would prove the blueprint for the most successful horror franchise of the new millennium.
The 34th Toronto International Film Festival, billed by organizers as "the most important festival after Cannes," concluded Sunday, Sept. 19, with the announcement of this year's Audience Award winner: The King's Speech, Tom Hooper's account of Bertie (A Single Man's Colin Firth), the man who overcame a humiliating stutter to become King George VI. (Bay Area moviegoers will get a sneak peek of Speech when it opens the 33rd Mill Valley Film Festival on Thursday, Oct. 7, at the Christopher B. Smith Rafael Film Center.) Here's an account of the 10-day Toronto festival's highlights, lowlights and (almost) everything in between.