Fillmore art is something special to San Francisco. When I saw MGMT there in 2010, I was psyched to receive an iconic promotional poster as a souvenir. In my rock 'n' roll fantasy, the same would have happened at the Fillmore decades ago, but at a Jimi Hendrix show.
The strange, improbable story of Woodstock has been documented exhaustively in print and on the screen, making it somewhat curious that Ang Lee has chosen to make it the subject of his first bona fide comedy since 1994’s Eat Drink Man Woman. Yet that’s just what we get in Taking Woodstock, a lighthearted look back at three days of peace and music whose more magical qualities fail to materialize here.