Jeffrey Dean Morgan
Miguel Sapochnik’s love letter to American health care and the subprime lenders who felled the country’s economy takes us 20 years into a bleak, bloody future where artificial organs are sold at a premium ($600,000 for a synthetic heart) and reclaimed by knife-wielding thugs once clients default on their payments.
Remy (Jude Law) is one of those thugs, coldly carving up the hopeless saps whose bodies are essentially on loan from his employer, the Union Corporation. He is unmoved by the grislier aspects of his work, perhaps because he buys so readily into the company credo. “You’re not taking a life,” his boss (a smugly soulless Liev Schreiber) explains. “You’re keeping the Union viable so we can continue to give it.”
A native Londoner, Idris Elba speaks with an almost undetectable British accent, one he’s masked successfully as Stringer Bell, a Baltimore drug lord in HBO’s celebrated The Wire, and, most recently, as Roque, an ornery black-ops specialist in the action-comedy The Losers.
Elba, 37, says he’s lived in the U.S. long enough to perfect his American dialect, but that he’s not entirely satisfied with it. That comes as news to Losers director Sylvain White, who sought out Elba after admiring his work in The Wire.