We open with a helicopter soaring across the Antarctic plain, chasing down a terrified husky. A sharpshooter rains bullets on the snowy terrain, every one missing its target. The scene is almost comical, these hapless predators devoting such effort to a frivolous hunt. But the question remains: How did the dog set them off?
Alas, we’ll never know. Before long, the hunters are dead and the husky is settled in the arms of a new master. But that initial hint of unrest throws all that follows into uncertainty. Something is amiss, and we know it’s just a matter of time before the movie’s darkness comes to light.
When Nash and Joel Edgerton’s father brought his sons a video camera – Nash was 10 at the time, Joel 8 – little did he realize what a profound impact it would have on the course of their personal and professional lives.
Nearly three decades later, Nash, 37, is a well-respected stuntman, having played Ewan McGregor’s double in two Star Wars sequels, and the director of the acclaimed new noir drama The Square; Joel, 35, who most notably co-starred in Star Wars: Episode II and III as Anakin Skywalker’s stepbrother, wrote The Square’s hard-edged script and plays the movie’s most fearsome heavy.
This past weekend, I declared it last call for local moviegoers hoping to discover The Most Dangerous Man in America, but what do I know? It's back this week at the Roxie, along with Jennifer Kroot's fascinating new documentary about filmmaking twins George and Mike Kuchar. For those partial to superhero adventures, Kick-Ass arrives at the Sundance Kabuki.
The most recognizable hallmark of classic film noir – the corruptible protagonist, driven by greed, lust and ambition into a series of mistakes, each more damning than the last – is embodied in The Square by Ray Yale (David Roberts), who plans to ditch his wife and run away with the lovely Carla (Claire van der Boom), also married.
They’ve concocted a plan (foolproof, they imagine) to torch Carla’s home and make off with her husband’s hidden cash. They’ve even hired an arsonist – a mad dog named Billy (Joel Edgerton) – to do the job right.