We spotted partners Liz King (left) and Judith Powell (right), toughing the weather in cute coats and distressed boots, while out for a shop on Market St. Liz works retail development and oversees some of the construction of Apple stores, and Judith is the executive director of The First Tee of SF, a youth development program. When they're not hard at work, the two are busy shopping and eating local, in SF and beyond.
When Joel and Ethan Coen first asked him to take a supporting role in The Big Lebowski as Theodore Donald Kerabatsos, the mild-mannered, oft-dismissed bowling enthusiast who succumbs to a heart attack while fighting a trio of nihilists, Steve Buscemi didn’t recognize their invitation as a ticket to immortality. If anything, his gut told him to decline.
“I remember thinking that I didn’t want to play this part,” he says now, reunited on the stage of New York’s Hammerstein Ballroom with principal members of the Lebowski cast and crew – including Jeff Bridges, John Goodman, John Turturro, Julianne Moore and musical director T Bone Burnett – to celebrate the movie’s Aug. 16 premiere on Blu-ray.
San Francisco's Latino Film Festival, featuring contributions by emerging and established filmmakers from Latin America, Spain, Portugal and the U.S., runs through Sunday evening at the Roxie, while House of Flying Daggers director Zhang Yimou's darkly humorous new thriller A Woman, a Gun and a Noodle Shop arrives at the Embarcadero. Elsewhere:
Just a month remains before the September release of Casey Affleck's long-rumored documentary about Joaquin Phoenix's bumpy transition from the big screen to the recording studio. (The Oscar-nominated Walk the Line star reportedly aspires to rap.) You can try holding your breath in the meantime, but you'd be wiser to visit one of the city's lovely indie theaters, where the following fine films await you.
1. Rebel Without a Cause
Where: Castro Theatre, 429 Castro St., 415-621-6120
When: Aug. 6
When producer Ivan Reitman first approached Atom Egoyan, the Oscar-nominated director of The Sweet Hereafter (1997) and last year’s Adoration, with the script for the erotically charged drama Chloe, it was a story set in author Erin Cressida Wilson’s hometown, San Francisco. Egoyan, born to an Armenian family in Egypt but raised from early childhood in Victoria, British Columbia, knew immediately that had to change.