Edgar Wright, the English director of the exuberant romantic comedy Scott Pilgrim vs. the World, cites 2007’s Hot Fuzz, his Point Break-inspired follow-up to the 2004 zombie satire Shaun of the Dead, as the movie that afforded him the chance to film in his hometown of Wells, and to pay tribute to influences ranging from Agatha Christie to Michael Bay’s Bad Boys II.
Americans have made their will known at the polls and the box office, and the message is clear: Our military presence in the Middle East is only slightly less popular than the movies inspired by it. The Hurt Locker may not change that sentiment, which felled recent offerings like Ridley Scott’s underrated Body of Lies and the equally overlooked Rendition, but that takes nothing away from Kathryn Bigelow’s most gripping thriller to date.
With the San Francisco International Film Festival entering its final week, one could be forgiven for rushing to the Sundance Kabuki for last-chance screenings of Tyson, (500) Days of Summer or Paul Solet’s terrifying Grace. If rushing isn’t your thing, there are plenty of attractive alternatives awaiting you at the city’s indie theaters.