Never mind the barely functional story line that provides a flimsy backdrop for Will Ferrell’s improvised riffs and Mark Wahlberg’s empty-headed rants in The Other Guys, the latest collaboration from Ferrell and Adam McKay.
Since teaming up after coinciding runs on Saturday Night Live – Ferrell as the show’s most charismatic star, McKay as its head writer – they have lampooned TV talking heads in 2004’s Anchorman and asinine adrenaline junkies in 2006’s Talladega Nights. Here, they target buddy-cop clichés, among them two rock-star detectives straight out of Michael Bay’s playbook.
Has Pixar set the bar too high? There’s nothing really wrong with Toy Story 3 – on the contrary, there’s so much right that it would be tempting to overlook its shortcomings altogether. But we get paid for full-service reviews, so it is with slight hesitation that I applaud the conclusion of a memorable trilogy.
Why the misgiving? Everything would appear to be in place. Pixar once again has created a spectacle unlike any other, unsurpassed in its visual brilliance and in the richness of detail evident in its characters and the world they inhabit. It is a movie that demands repeat viewings, as the intricacies of its artwork can’t be appreciated fully in a single sitting.