We’re all too familiar with the narrative infrastructure of ODC Theater’s latest musical, OMFG: Lonely man meets lonely woman. They flirt. They exaggerate their case for why they’d make ideal companions. True identities are revealed. Love is in the balance.
Once upon a time these types of encounters were the marked territory of contrived rom-com cinema, but the veils and deceptions of the Internet have made everyone with a laptop a potential author of such yarns. All the virtual world is a stage (too), the perfect place to ignore what we see in the mirror. So people bend the truth and hide insecurities as best they can. Until they can’t anymore.