Need a hot shower to rinse off the filth of this weekend's Peaches Christ-produced Showgirls extravaganza at the Castro? Not a problem. Return to the theater Wednesday for a weeklong tribute to the great Cary Grant, with nightly double-features highlighting classics including The Philadelphia Story, North by Northwest, Bringing Up Baby and His Girl Friday. But first things first:
Where: Castro Theatre, 429 Castro St., 415-621-6120
When: Aug. 27
Looking to avoid the crowds flocking to bask in Green Lantern's faint afterglow this weekend? Not a problem. Frameline35 is currently in full swing at the Castro, Roxie and Victoria theaters, proudly showcasing the world's best LGBT cinema through June 26. Meanwhile, Terrence Malick's critically lauded Tree of Life continues its run at the Embarcadero.
With IndieFest's Another Hole in the Head Festival continuing through Friday at the Roxie and Frameline35 arriving at the Castro this Thursday, Bay Area moviegoers should have little trouble satisfying their appetites for something slightly more cutting-edge than, say, the upcoming Mr. Popper's Penguins. And if you'd rather steer clear of the festival crowds? No problem.
With IndieFest's Another Hole in the Head Festival now scarring horror enthusiasts at the Roxie, and the 35th annual International LGBT Festival just around the corner, there's no shortage of intriguing options for Bay Area moviegoers in search of an evening's entertainment. Among this week's best:
1. Midnight in Paris
Jeff Goldblum isn’t really a morning person – much of the time, his sleep schedule is dictated by his work – but that doesn’t stop him from catching MSNBC’s Morning Joe whenever he can, sometimes as early as 3 a.m. if he’s lucky enough to be staying at his Los Angeles home.
Goldblum, the 58-year-old star of David Cronenberg’s 1986 sci-fi classic The Fly and, more recently, the USA network’s Law & Order: Criminal Intent, returns to the big screen this week with Morning Glory, the new comedy from director Roger Michell (Notting Hill) about a work-obsessed TV producer charged with rescuing a floundering morning talk show.
Guy Ritchie’s Sherlock Holmes is Brokeback Mountain without the sex and depth of emotion, the story of two thrill-seekers who would rather be with each other than just about anywhere else.
Neither acknowledges it explicitly, perhaps because doing so would push Sir Arthur Conan Doyle’s iconic investigators too far down a road Ritchie was reluctant to travel. But between Holmes (Robert Downey Jr.) and Dr. Watson (Jude Law) there exists a bond that supersedes ordinary friendship, an affection conveyed in knowing glances and in the subtext of their droll repartee.