San Francisco Symphony
On November 28, Symphonix hosted their fall membership event at the newly opened Alibi Restaurant and Lounge in SOMA. Guests in cocktail and business attire braved the rain to show their support and kick-off the 2012-2013 season. The event was complimentary for Symphonix members, while non-members had the opportunity to join and be part of the San Francisco Symphony’s young professional league.
Chanticleer Goes Romantic
One of the world’s best male choruses, Chanticleer hits up its native San Francisco with bell-like harmonies and songs of desire, pain, and euphoria - basically, the sound of every emotion to ever trail hopefully after love.
Bonus: one their tracks graces the new Brad Pitt/Sean Penn movie, The Tree of Life. So if you want to hear this Grammy award-winning orchestra of voices live, check it out. (Amazing sound, no Brad Pitt - you'll have to weigh your priorities.)
June 3 and June 12. San Francisco Conservatory of Music, 50 Oak Street. Tickets are $20-44 at (415) 392-4400. (Additional dates in Santa Clara, Berkeley, Walnut Creek, and Napa.)
There is a whole lot of Gustav Mahler going on this month. May marks the one-hundredth anniversary of the composer’s death and celebrations are happening everywhere in the world where classical music is a thing. Acclaimed interpreters of Mahler’s work, Michael Tilson Thomas and the San Francisco Symphony have been invited to perform in Vienna, Prague, Brussels, Paris, Barcelona, and other European music hot spots this spring. In conjunction with all the mad Mahler action, the Symphony’s Grammy-winning Mahler recording project will be released in a box CD set and KQED will broadcast concerts. So if you ever wanted to learn about Mahler, his music, or Michael Tilson Thomas’s interpretations thereof - here's your chance.
Donne Virtuose - Music By Remarkable Women
Turns out women wrote classical music too. (RIGHT? Come on, I can't be the only who wants to throw a geek parade with french horns over this.) Featuring female composers who bucked social restrictions to write arias and instrumental sonatas, the program is performed by soprano Jennifer Ellis Kampani and violinists Rob Diggins and Jolianne von Einem. Composers in question are: Francesca Caccini from the Medici Court, Venetian intellectual Barbara Strozzi, Isabella Leonarda from a Novarese convent, and Elisabeth Jacquet de la Guerre of the Parisian aristocracy. There probably won't be a parade. (BUT THERE SHOULD BE.)
You can check 7x7's concert roll on the right-hand side of the homepage for concerts of the rock, pop and dance varieties, but for the more classical-music inclined, here's our roundup what we're anticipating to be the best performances of the month.
Los Angeles Guitar Quartet
Masters at classical guitar genre-bending (their repertoire jumps from Bach to bluegrass to samba to African drum circle), the Grammy-winning Los Angeles Guitar Quartet plays Herbst Theatre next weekend. Known on Youtube for its deconstructed version of Pachelbel’s Canon (check it out here), the group has been together for thirty years, playing inventive, critically acclaimed music around the world.
San Francisco Symphony: Carmina Burana and Haydn
October's Classical Music Roundup: Takacs Quartet, Joshua Bell at SF Symphony and New Spectrum Ensemble
By performing chamber music in bars and cafes, Classical Revolution aims to alter people's perception of classical music; namely, that it's inaccessible and the bastion of gray-haired octogenarians. By playing in venues of the young and hip, local artists of varying pedigree - students or recent grads of top conservatories and accomplished non-professional musicians - help thread classical music through San Francisco's nightlife. Proving that classical music is still relevant, no matter what Lady GaGa might tell you.
Revolution Café, 3248 22nd St. every Sunday night. For information, visit www.classicalrevolution.org.
The Cellos and bass are weary from dragging their large bodies around. Likewise, the percussion instruments are beat.
(They had employed xylophoniness and cymbalism, you see). Such orchestral shenanigans bare the distinctively peculiar mark of Lemony Snicket, the pseudonymous author whose name is synonymous with macabre mayhem for the younger crowd.