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Sarah Butler

Art or Sleaze? 'I Spit on Your Grave' Remake Straddles Both Lines

As children, we are taught to turn the other cheek, but who can deny the visceral thrill of richly deserved revenge, presented in Steven R. Monroe’s I Spit on Your Grave remake as a dish served well past the freezing point?
 
Anyone familiar with Meir Zarchi’s 1980 original – famously dismissed by Roger Ebert as “a film without a shred of artistic distinction” but hailed by others as a crude testament to feminist fortitude – should recognize the story of Jennifer, the big-city girl beaten and raped by five merciless hillbillies during a retreat in the Louisiana backwoods.
 

Bloody but Never Broken, Sarah Butler Relives the Infamous Day of the Woman with 'I Spit on Your Grave'

The first time Sarah Butler read the script for I Spit on Your Grave, Steven R. Monroe’s tense, unrelenting remake of the notorious 1980 rape-and-revenge thriller Roger Ebert deemed “a vile bag of garbage, reprehensible and contemptible,” she made an urgent call to her manager.
 
“I’d auditioned for it, but when I saw the script I decided to skip the callback,” says Butler, 25, best known for one-off appearances on CSI: Miami and CSI: New York. “All the nudity, violence, graphic rape scenes – normally, my manager is very protective of me, but he asked me to read it again, so I did. He said it could be the role of a lifetime, and I tried to look at it from that perspective.”

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