A bit of hard work and dedication never hurt anyone. Our beloved SFMOMA has already amassed $250 million out of their $480 million campaign goal. Money will be used for renovations, include tripling of the public space, expanded educational programs, enhancement of exhibitions and other services for the public. Particularly the anticipated Fisher Collection, a prized accumulation of private modern and contemporary art, will be sure to up the SFMOMA's street cred. Perhaps the new burst of support is from the Gap collaboration, but we're in full support either way. Their 75th year is off to a great start.
Luc Tuymans may not be a household name but don’t mistake that as reason to bypass this very important exhibit. The Belgian artist’s first US retrospective is the most comprehensive presentation of his work to date, featuring nearly 75 key paintings from 1978 to the present. Considered by many as one of the most significant painters today, Tuymans’ has already made a lasting impression on today’s generation of artists.
A note of warning: steer clear if you’re looking for art that is fun and frivolous. The work on view here is richly layered, dauntingly dark and will pulse through you long after leaving the museum.
SFMOMA really knows how to throw a party. To coincide with their 75th anniversary celebration, they enlisted the help of nine artists with Bay Area ties and local clothing giant Gap to create a line of unique limited-edition T-shirts. The result is a brilliant collection of eight unisex shirts from the likes of well-known artists Chris Johanson, Barry McGee, Larry Sultan and Mike Mandel that are sure to be highly covetable for art students and collectors alike.
As much as we love getting dressed to the nines to peruse the seemingly endless art galleries on First Thursday, the fabulous SFMOMA openings have remained elusive...until now. In honor of their 75th anniversary, SFMOMA is opening the floodgates to members and non-members (sadly, we fall into this category) alike to ogle what's sure to be one of the best collections we've ever seen, gratis. To top it all off, they're throwing a late-night bash Saturday night with live performances by Zoe Keating and Loop!Station, electronic collage artists and more importantly, a cash bar.
The Modern Art Council (MAC) of SFMOMA kicked-off its 75th anniversary yesterday with its 75th Holiday Luncheon at the museum.
Formerly known as the Women’s Board of the San Francisco Museum of Art, the MAC auxiliary serves as the museum’s fundraising arm and organizer of its many educational programs.
Originally spear-headed by Evie Haas and the late Mary Keesling, the auxiliary’s dedication to modern art is evidenced in the fact that its founding in December 1934 pre-dates the museum’s opening by one month.
While we couldn’t make it to lunch, we did attend a pre-party tea hosted by former MAC President Ann Fisher.
There are rare times when words escape the writer: not because of block, mind you, but because words don't seem like quite enough. Such is the predicament in trying to describe the spectacle that was Saturday night at the SFMOMA, where a Futurism banquet organized by OPEN restaurant (part of the ongoing MOMA Futurist exhibit which celebrates the 100th anniversary of Futurism) went down.
Not only has this show and sale of 20th-century decorative arts firmly established itself as a solid hit among designistas, but museum members were abuzz over the news that Doris and Don Fisher had reached an agreement with SFMOMA to house their dazzling private collection which features some of the most significant works in modern and contemporary art.
This October, SFMOMA will launch a new free-to-the-public educational program, Pickpocket Almanack. Under the direction of independent curator Joseph del Pesco, temporary faculty from the Bay Area arts community will build curricula around lectures, workshops, screenings, and other scheduled Bay Area events. The course will result in a new framework for each event, allowing the public to engage with the topic on a higher contextual level. Faculty include Megan and Rick Prelinger of the Prelinger Library and filmmaker Les Blank.
Little wonder that the nimble-footed Fred Astaire played a fashion photographer so clearly based on Richard Avedon in the 1957 musical, Funny Face: He ideally translated the supple movement and sublime grace of Avedon’s ‘50s fashion photography (and love of Hungary’s Martin Munkacsi) in his portrayal, all while snapping the radiant Audrey Hepburn.
But Avedon was so much more than the landmark shots that have entered the visual vernacular. More than, say, Dovima caressing the elephants in a surreal juxtaposition of the rough and the wild against the silkily draped and the divine artful (Dovima incidentally also had a teensy cameo in Funny Face as the ditzy swan with a grating whine).
The crowd-pleasing art superstars may be holding court one floor up - at “Georgia O’Keeffe and Ansel Adams: Natural Affinities,” opening Saturday, May 30 - but before you wander O’Keeffe’s pink and orange abstractions of the Southwestern desertscape and Adams’ iconic prints, dare to stop in at “Looking In: Robert Frank’s The Americans,” on display at the San Francisco Museum of Modern Art through Aug. 23.