Every Final Destination follows a simple, durable formula. We start with The Premonition, in which the Cassandra of the doomed (here Nicholas D’Agosto, of TV’s Heroes) foresees a gruesome tragedy. He alerts anyone who will listen, though his warnings are usually dismissed as lunatic ravings. Disaster strikes, and a small group of survivors is left bewildered by their unlikely salvation.
Their relief is short-lived. Death has a plan, you see, and he doesn’t take kindly to revisions. Rather than hunt down those who escaped his wrath at some later date, he pursues them with madcap persistence, leaving a trail of gratuitously mutilated bodies in his wake.