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theater review

Revamped "Arabian Nights" is Something to Ululate About

There are moments in Mary Zimmerman hip and lively adaptation, “Arabian Nights” (just extended at Berkeley Rep) when the layers upon layers of the play’s shaggy-dog stories produce a punch drunkenness in the audience. We may have expected a old-world tableau of Egyptian intrigue. What we witness are winding yarns within yarns that tell far fetched tales of oddballs; a farting man, an randy green grocer with a big “cucumber”, a scabby, dribbling, gruesome bride. The comedy is low. The sub-plots dizzying.

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