Vernon Davis, 26
Tight end, San Francisco 49ers
In a way, SFMOMA’s exhibition New Topographics: Photographs of a Man-Altered Landscape thumbs its nose at the likes of Ansel Adams and Minor White. Gone are the steep cliffsides and winding rivers, so too are the romanticism and the awe in the face of nature’s grandeur. In its place are run-down buildings, barren trailer parks and decrepit gas stations: man’s specific imprint on the natural world. The photographs—stark and deceptively poignant—are treatises on humans’ capabilities, but there’s not a single person in the frames.
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