For all its contributions to literature, the Beat generation of artists is above all known for its lifestyle–the addled, erotic, for-the-moment mania that blasted the foundations of conservative 1950s America and paved the way for full-fledged counterculture movements in cities like San Francisco and New York.
As though to prepare us for the upcoming art onslaught that is ArtPad SF and ArtMRKT, an unusually great number of galleries open their doors this week with new shows. As always, the work is as diverse as it is intriguing. We've sifted through the lot; here are our top eight recommendations.
Brooklyn duo Skewville bring their "urban playground" aesthetic to White Walls, Corden Potts shows Michael Crouser's famed bullfighting series, and two other galleries reach milestones worth celebrating. Stop in.
There are 1,440 minutes in a day, and several times that many clips in The Clock, Christian Marclay's epic, 24-hour-long video collage of film segments that each in some way reference an exact time of day, drawn out to align with real time.
It certainly feels like spring in the SF art world this week, with internationally renowned color fiend Markus Linnenbrink showing a brilliant batch of new work at Patricia Sweetow Gallery, and big-league art dealer George Krevsky hosting his annual tribute to the start of baseball season.
“I feel like the world is a place I bought a ticket to,” the photographer Garry Winogrand is quoted saying in Garry Winogrand, now at SFMOMA. This unprecedentedly comprehensive exhibition, consisting of hundreds of snapshot photographs taken between the early 1950s and the time of the prolific artist’s early death in 1984, offers viewers a ringside seat to the unique spectacle of American society as it mutated over the course of those incredible decades–an opportunity not to be passed up.
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