While the Musée du Louvre’s decorative arts wing is being made over, its treasures of the French monarchy are displaced. And, perhaps typical of things destined disappear from their hometown, they have turned up in San Francisco – specifically The Legion of Honor. The museum has struck up an accord with the Paris institution to host this and several more exchanges over the next five years. So art lovers and Francophiles, rejoice.
On Grove Street, across from the gilded, Beaux-Arts exterior of City Hall, the San Francisco Arts Commission has a space that it is no longer allowed to use as a gallery – quite. 155 Grove has been deemed seismically unsafe, which means the general public is not allowed inside, but the city does allow SFAC to put the space’s large front window to use: A rotation of artists fill the cube with site-specific installations that the public can view from outside. It is a fishbowl rife with apparent limitations that, as current resident artist Val Britton has found, give rise to unexpected possibilities.
There were two San Francisco homecomings last Wednesday: One for the Giants, the other for Jay DeFeo, whose long overdue retrospective the Whitney Museum in New York organized but kindly allowed the artist’s hometown institution, SFMOMA, to debut. Of course, one SFMOMA curator noted, were DeFeo, an avid Giants fan, still with us today, you can bet she would have skipped the exhibition opening for the parade.
Gourmet hors d’oeuvres, cocktails by our boys The Bon Vivants, and performances by legendary artists and punk rock pioneers – all in the name of contemporary art. We’ve got the details on San Francisco Art Institute’s tantalizing “Return” party, as well as a selection of promising gallery exhibitions to keep in your orbital this weekend.
Halloween art: Usually questionable, we’ll admit. Still, we can’t help getting in the spirit of the season, and there are a few SF galleries right there with us. Look forward to not one but two exhibitions paying homage to cult film directors, a virtual masquerade ball, and a few other must-sees that, while probably not devised with the holiday in mind, we think are thematically dark enough to fit the bill.
Between 1936 and 1951, a group of zealous New York photographers known as the Photo League set out to document life on the city streets. What they ended up capturing, however, was far larger. Pointing dogged, unaverted lenses at life during the Great Depression, World War II and the triumphant but troublingly conservative postwar period, the league effectively captured the tumultuous making of the America most of us have known.
Two seemingly dissimilar museum exhibitions opened this week. Out of Character: Decoding Chinese Calligraphy at the Asian Art Museum marks the first major U.S. exhibition since 1999 of China’s most revered art form. Rudolph Nureyev: A Life in Dance at the De Young pays homage to a legendary ballet dancer and choreographer. Both, interestingly enough, put dance front and center.
Calligraphy does not open up to the Western viewer by itself. At least half of its impact, as poetry, is bound to be lost on those who cannot read Chinese. The other half, as a formally beautiful and astoundingly meticulous form of abstract painting, has the potential for more universal appreciation. A good curator, though, is required to pave the paths of entry.
You know it’s fall when museums are dishing out exhibitions faster than you could possibly see them. SFMOMA just managed to sneak in some great new work by Italian artist Alessandro Pessoni before its upcoming retrospectives, the de Young unveiled a collection of photographs by Danny Lyon while Rudolph Nureyev: a Life in Dance waits in the wings, and that is not to speak of the Asian Art Museum’s and Jewish Museum’s openings this week and next.
A gallery breather is sounding pretty nice right about now. Here are three promising shows, two in the city and one in Marin, to keep the museums at bay this week.
Cope2: The Rebirth, at Project One Gallery
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