House Tour: A 1970s-Era Condo Transforms Into a Chic Sanctuary

House Tour: A 1970s-Era Condo Transforms Into a Chic Sanctuary


An old Jackson Square space takes on modern, Brooklyn-inspired vibes.

Catherine Kwong's personal and professional life were undergoing major changes: She had moved back to the Bay Area from New York City, she was preparing to launch her own interior design business, she purchased her first home, and she and her boyfriend were on the cusp of getting engaged. With change in the air, she dove into the remodel of a condominium that started as a place of her own but, near the end of the project, morphed into a soon-to-be-newlywed nest.

Houzz at a Glance

Who lives here: Interior designer Catherine Kwong and Brian Kwong

Location: San Francisco

Size: 1,300 square feet (120 square meters), 2 bedrooms, 2 bathrooms

Bess Friday, original photo on Houzz

When Kwong and her then-boyfriend moved to San Francisco, she purchased her first home: a condo in the city's Jackson Square neighborhood, known for its historic brick buildings and old–San Francisco character. The home is in a development constructed in the 1970s and had an interior to match.

"It was kind of scary," she says. "There was white carpet and mirrored panels everywhere."

Excited about the changes afoot, Kwong decided to modify the look of the space without altering the architecture. With paint and furnishings, she updated the look from the feel-good era to the present.

She started in the living room, where a crisp palette of white and indigo enlivens the space. The rounded lines of the mirror, sofa, chair and a carved wooden bracket (an Indonesian piece scored at a salvage yard and seen in the upper left) soften the angular lines of the architecture.

Kwong used as inspiration the Brooklyn home of Jenna Lyons (she's the creative director of J. Crew, and she plays the mean corporate boss on the television show Girls). "I was trying to do the San Francisco version of that home," the designer says of Lyons' glam but casual, elegant yet rustic space, often seen in published photos.

She started with the fireplace, which used to be a simple tile-surrounded affair. "I designed the new mantel myself," Kwong says. "Because it was the focal point, I wanted it to be special. Although I wanted it to be white and clean, I also wanted it to have some sort of ornamentation."

The carved mantel is juxtaposed with a sculptural woodbox, also custom designed by Kwong. "I loved the idea of a tall element made of cold-rolled steel against the more classic mantel," she says. Kwong notes that making it tall was essential. "The footprint of the home is small, but the ceilings are double height," she says. "This tall piece draws the eye up."

Bess Friday, original photo on Houzz

The narrow galley kitchen was equipped with the Euro-style cabinets beloved by 1970s homeowners. Kwong swapped them for gray Shaker-style cabinets. "I wanted the space to feel cozy," she says.

In this room space is at a premium, but that doesn't mean Kwong had to sacrifice amenities. She made room for elements such as a wine refrigerator and a farmhouse sink by choosing the slimmest models of appliances she could find. "I decided on what was most important to me, such as a big farmhouse sink, and included it," Kwong says. "After that it was a game of inches."

"Cabinet space is also important, and it seems like there is never enough," she says. "To make the most of them, I outfitted as many cabinets as possible with pullouts."

Because space is limited, Kwong makes utilitarian items serve a decorative purpose. "Packaging matters when something is on display," she says of her Murchinson-Hume dishwashing liquid.

Bess Friday, original photo on Houzz

One distinctive feature of many condos in this development is an angled glass ceiling. In Kwong's unit it's in the dining room, located next to the kitchen. "When I first looked at this home, they had it styled as an office," she says. "My first reaction was that it should be a dining room, but I thought it was too small."

In truth the room only felt small. By installing deconstructed riddling racks (old wooden racks used to store bottles in wine caves), she made the room seem more expansive. "I think that large gestures make a room look bigger," she says. The panels float on brackets away from the wall, allowing bottles that will be opened in the near future to rest there.

The table is an off-the-shelf item from Blu Dot, but Kwong made it her own by applying gold leaf to the legs. "For my own house, I spent more on the finishes and curtains — which I believe define the character of a room," she says.

Bed: Crate & BarrelBess Friday, original photo on Houzz

She applied the same rule to the master bedroom, where the furnishings are from retail sources but the curtains are custom and crafted of high-end fabric.

"In the public parts of the house, the walls are white," says Kwong. "But in the other rooms, I used color." In the master bedroom, she opted for a soothing palette of grays and taupes.

Faucets: Waterworks; sconces: The Urban Electric Company; wallpaper: Osborne & LittleBess Friday, original photo on Houzz

The color palette continues into the master bath, with its taupe- and purple-toned wallpaper.

Bess Friday, original photo on Houzz

A darker color cloaks Brian's study. The couple got engaged near the end of the project, and this room was the last one to be completed. "My husband is an emergency room physician, and he keeps odd hours," Kwong says. "He needed a dark room where he could sleep during the day if he needs to." In addition to the dark walls, she installed blackout shades on the windows.

The art wall contains photos they both love and mementos of their lives.

Decorating her first home has been a great personal exercise for Kwong. "I tried to create a place that was classic and not too trendy, and I think it is," she says. "This is a real sanctuary for me."

This article was written by Mary Jo Bowling for Houzz.

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